The 2-Minute Rule for order phoenix tears 0 30
Notions of looking and voyeurism are dealt with spatially and architecturally in “Very good For Me.” In this sequence, swooping lines develop a style of peephole result that reveals Mundt in two distinctive poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings during the